Gear

A non exhaustive list of the gear we use:

Audio

Using console grade, crystal clear, pre-amps and conversion, we can record just about any setup and combination of instruments that you can throw at us in the most flattering way.

Music is mixed in Pro Tools using Genelec 1032 studio monitors.

UAD, FabFilter, LiquidSonics Seventh Heaven, Sonnox, SSL Native, SoundToys, Oaksound Sooth2 and many more plugins are available.

Microphones:

  • Neumann TLM 67

  • Vintage Neumann KM84

  • AEA R88 MK2 Stereo “Big Ribbon” Mic

  • STC Coles 4038 Pair with 4072 anti-vibration mounts.

  • Line Audio CM4 Pair

  • + many more

We also use various Radial DI boxes and a Fender Hot Rod Deluxe IV as well as a large collection of dynamic microphones (SM57/58s, etc.) and live sound gear (guitars / basses / other instruments and guitar amps and monitoring equipment).

We have a full height Decca Tree and only use Van Damme/Neutrik cabling to ensure maximum quality - including in our 50m 32 channel analogue multicore.

We also have a 64 channel Dante rig for larger venues.

For anything else required for a project, we have great relationships with hire shops to ensure streamlined access to anything we may need.

Visual

Cameras:

  • Blackmagic’s Pocket Cinema Camera 6K

  • Lumix S1 with Atomos Ninja V

Broadcasting:

  • Blackmagic Design ATEM Television Studio HD8 ISO

  • SDI cables & converters

  • Atomos Ninja Cast

We often rent our glass specifically for each project, but we can provide it in house too.

Additional gear includes tripods, steadicams like the DJI Ronin range, Aputure lighting, soft boxes and diffusers and stage DMX lighting.

All our projects tend to be recorded in BRAW to get the most out each shoot and prepare for any eventuality.

Post production is carried out in the full Adobe suite.

We can also provide visual effects and 3D animation at clients’ request.

We can provide deliverables in all major formats, including for TV, iTunes and Vevo etc.